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Bogdan Gusev
Bogdan Gusev

Regno


Un giorno di regno, ossia Il finto Stanislao (A One-Day Reign, or The Pretend Stanislaus, but often translated into English as King for a Day) is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani.Originally written for the Bohemian composer Adalbert Gyrowetz[1][2] the libretto was based on the play Le faux Stanislas written by the Frenchman Alexandre-Vincent Pineux Duval in 1808.[1] Un giorno was given its premiere performance at the Teatro alla Scala, Milan on 5 September 1840.




Regno



The music of the piece shows the influence of Rossini and Donizetti. The haste in which the work was written may account for some of the uneven quality some critics have noted.[17] With regard to the recitatives, Gossett notes that "only his youthful comic opera, Un giorno di regno (1840), uses secco recitative".[18]


"Non sum qualis eram bonae sub regno Cynarae" is the British poet Ernest Dowson's song of hopeless longing. In the poem, a languishing speaker laments that, no matter how hard he tries to distract himself with sex and partying, thoughts of his lost love, Cynara, always intrude on his fun. Though he's had plenty of lovers since Cynara, his haunting memories of his purer, deeper love for her keep him "faithful" to her "in [his] fashion." This poem first appeared in an 1894 anthology by a group of poets known as the Rhymers' Club, many of whom were notable members of the Decadent movement.


'Non sum qualis eram bonae sub regno Cynarae' is an 1894 poem by Ernest Dowson. Dowson was known for his poetry of tragedy and material excess. These elements are certainly present in this poem so let's explore them in more detail!


Dowson's poem has the long Latin title of 'Non sum qualis eram bonae sub regno Cynarae'. This translates to 'I am not as I was in the reign of good Cynara'. This is a quotation from a work by the Ancient Roman poet, Horace. Dowson uses the mythical figure of Cynara to represent his lost lover.


'Non sum qualis eram bonae sub regno Cynarae' is told from the perspective of a narrator who misses his old lover deeply. He does everything he can to forget her, burying himself in alcohol, parties, and other women, but this changes nothing. Every night he misses Cynara just as much. Dowson's poem revolves around the idea that if one is still truly in love with someone, one cannot forget them, no matter what.


The metre of 'Non sum qualis eram bonae sub regno Cynarae' also does not follow a specific pattern. Different kinds of metres are present in various lines of Dowson's poem, but these are identifiable metres. The fifth line of every stanza is in iambic pentameter.


There is a great deal of romantic imagery in 'Non sum qualis eram bonae sub regno Cynarae'. Dowson includes imagery of lovers throughout the poem. One such example is found in stanza two. The narrator and his current lover are spending time in bed together; he holds her closely all night and can feel her heartbeat. However, this image is soured by the word 'bought', insinuating the woman is a prostitute.


The tone of 'Non sum qualis eram bonae sub regno Cynarae' is mournful and nostalgic. The narrator is unable to stop looking back on his previous relationship and wishing he could be with Cynara once again. Despite the distractions he offers himself, nothing takes his mind off her for long. This also adds slight frustration to the tone of the poem. He cannot escape her.


Lost love is a central theme of 'Non sum qualis eram bonae sub regno Cynarae'. The narrator of Dowson's poem desperately tries to distract himself from his thoughts of Cynara. He drinks and attends parties, surrounding himself with beautiful women and prostitutes. However, as soon as he has a quiet moment, Cynara returns to the forefront of his mind. No current lover can compete with the intense and passionate memories of his lost love. Because of these recurring memories, the past is another key theme in Dowson's poem. Cynara haunts the narrator. He is unable to find happiness in the present as the past is so idyllic to him.


'Non sum qualis eram bonae sub regno Cynarae' was recognised as a tragic work of the Decadents' movement. It includes both material excess and great sadness. Oscar Wilde, a fellow Decadent, greatly appreciated Dowson's talent for writing tragedy.


Today, 'Non sum qualis eram bonae sub regno Cynarae' is acknowledged by academics and critics for its subject matter and use of the English language. Based on this poem, one reviewer described Dowson's 'ability to melt down the staccato language, English, till it flowed like a Romance language.'1 041b061a72


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